The Top 10 Shelter Records Artists You Need to Know

Shelter Records holds a significant place in music history, having launched the careers of numerous talented artists and contributing to the development of iconic sounds. Founded in 1969 by Leon Russell and Denny Cordell, Shelter Records quickly became known for its diverse roster of musicians and its commitment to nurturing artistic creativity. In this blog…

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The Tulsa Sound: The Definitive Definition by Ann Bell

The Tulsa Sound: The Definitive Definition by Ann Bell I was privileged to be born in 1950, in the Great State of Oklahoma, and the Great City of Tulsa. Growing up I learned very quickly just how blessed I was to be an Okie and for many reasons. The people are such loving, laid-back, God-fearing…

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JJ Cale Finds Shelter

After shopping around for more than six months, Audie Ashworth and JJ Cale decided to sign with Leon Russell and Denny Cordell’s Shelter label, probably on June 5, 1971. This was the same day that Cale re-recorded a new version of “After Midnight” (at Cordell’s request, some say Ashworth’s), and also added “Don’t Go To…

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Volunteer Spotlight: Sharon Johnson Caskey

Sharon Johnson Caskey Magnolia Meadows

Volunteers rock at The Church Studio! We love and appreciate the valuable role they play in our operations. Sharon Johnson Caskey is one of our talented volunteers. She not has a knack for arranging flowers and choosing trees for Magnolia Meadows, but she’s wonderful in our retail store, serving clients and giving tours. Learn more…

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Steve Ripley’s Red Dirt Roots Part 1

Steve Ripley: 1950-2019 Oklahoma Music Legend, Owner of The Church Studio, member of The Tractors It’s comforting to know that after you’re gone, a part of you will remain. Steve Ripley left behind an artistic legacy that will have an impact long after his passing. Many people were impacted by his compassion and ingenuity. Red…

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Working for Shelter Paul Sparks

After shopping around for more than six months, Audie Ashworth and JJ Cale decided to sign with Leon Russell and Denny Cordell’s Shelter label, probably on June 5, 1971. This was the same day that Cale re-recorded a new version of “After Midnight” (at Cordell’s request, some say Ashworth’s), and also added “Don’t Go To…

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Rock of Ages: The Race for Rock

Tulsa’s early rockers were black and white, and no one cared – as long as the racial mixing was on the stage By JOHN WOOLEY “I’m tellin’ you, I didn’t know segregation back then — in the Flamingo Club for sure,” states multiple music hall of famer and bluesman Flash Terry. Terry worked in that north Tulsa…

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Rock of Ages: ‘Rockin’ this Joint Tonite

Gambling, drinking, guns and bombs — Tulsa’s rock ‘n’ roll gigs of the 1950s felt like Wild West shows By JOHN WOOLEY   Before rock ‘n’ roll exploded in the late ’50s, there weren’t many places in Tulsa where a talented kid could play in front of a crowd. Tommy Crook, who left rock ‘n’…

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THE BILL DAVIS INTERVIEW

By Steve Todoroff It’s a late September night at the Sunset Grill, a combination cafe/night club in Tulsa where eager fans begin to cram themselves around tables near the vicinity of the dance floor. As they mingle about, a party-like atmosphere maintains them until that moment the band squeezes onto the tiny stage and starts…

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Rock of Ages: Birth of the Beat

Rock ‘n’ Roll Rode into Tulsa on a ‘Mystery Train,’ and Local Teens Turned the Beat Around to Make Their Own Sound By JOHN WOOLEY     In the beginning Tulsa swung. But it did not rock. Then, onto our stages stepped Gene Crose, followed by Clyde Stacy and Bobby Taylor, Wally Wiggins and David…

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