LATEST BLOG POSTS
As you may have seen on our Facebook, The Church Studio recently partnered up with one of our Studio Row businesses, High Dive, to produce STAGE DIVE. Every Monday evening, High Dive will open its doors(and stage) to upcoming singer-songwriters for an Open Mic. The event is designed for anyone that wants to share their music, practice performing, and even make some friends in the music community. It’s all about the community. This wouldn’t be a proper Open Mic without a host and we are lucky to have Conor Culpepper filling that role. At only 19, Conor is already…
Read This ArticleBy JOHN WOOLEY As nearly as anyone can tell, the Tulsa area first started rocking to live local guys back in early 1956, when Gene Crose put together a little group and played the rockabilly tunes “Blue Suede Shoes,” “Baby, Let’s Play House” and “I Forgot to Remember to Forget” for the Cadet Capers show at Oklahoma Military Academy in Claremore, where he was enrolled. It wasn’t long before he’d picked up a new band and begun doing Tulsa engagements. According to a new poster, “Pioneers of the Tulsa Sound” (available from Janine Stovall at the Paperwork Company, 369-1014), the…
Read This ArticleBy JOHN WOOLEY MTV wasn’t even a gleam in an executive’s eye when Tulsa’s first wave of rock ‘n’ rollers hit. In fact, “Where the Action Is,” that fondly remembered Dick Clark-produced daily TV show, didn’t come along for almost a decade. Even the granddaddy of them all, Clark’s “American Bandstand,” didn’t go national until ’57. So it’s hard to conceive how huge a force radio was in spreading early rock ‘n’ roll across our country, our state and our city. In the case of Tulsa, it wasn’t just local radio that got our teens pumped on this strange new…
Read This ArticleGet to know Student Sadie Kane in her first Blog Post BY: Sadie Kane When I first contacted The Church Studio, I had no knowledge of the history that lies within the walls of the old building. I was unaware of the legendary musicians that had filled the historic chapel with their music that would eventually create a brand for the city of Tulsa. Growing up in Oklahoma City, the only “homegrown” artists I had known about were the likes of Carrie Underwood and Garth Brooks. Even with the information I have on the artists of Oklahoma, I was unaware…
Read This ArticleTulsa’s early rockers were black and white, and no one cared – as long as the racial mixing was on the stage By JOHN WOOLEY “I’m tellin’ you, I didn’t know segregation back then — in the Flamingo Club for sure,” states multiple music hall of famer and bluesman Flash Terry. Terry worked in that north Tulsa venue both as a headliner and with the legendary Jimmy “Cry Cry” Hawkins throughout the ’50s. “If you were a musician or a music fan, you could come in there and sit down,” he said. “There wasn’t any discrimination. Not at the Flamingo. And we…
Read This ArticleGambling, drinking, guns and bombs — Tulsa’s rock ‘n’ roll gigs of the 1950s felt like Wild West shows By JOHN WOOLEY Before rock ‘n’ roll exploded in the late ’50s, there weren’t many places in Tulsa where a talented kid could play in front of a crowd. Tommy Crook, who left rock ‘n’ roll to become the best-known solo guitarist in town, remembers. “The Ritz and the Rialto and the Orpheum (movie theaters) used to have these stage shows on Saturday afternoons and Saturday nights, in between movies,” he said. “They started out as talent shows, with the…
Read This ArticleBy: Ann Bell Nicholson Pam was born to parents, Eula Mae and Jeff Thompson. They were Tulsa residents. She was an only child. She was born on December 31, 1951 in Tulsa, Oklahoma. Pam graduated from Bishop Kelley High School and then the University of Oklahoma. While a student in Norman OK, Pam joined a band called Sailor, her first professional singing job. Upon her return to Tulsa after finishing college, Pam attended a gig I was doing and from the crowd, I could hear her beautiful singing following along with me. I invited her on stage where she shyly,…
Read This ArticleRock ‘n’ Roll Rode into Tulsa on a ‘Mystery Train,’ and Local Teens Turned the Beat Around to Make Their Own Sound By JOHN WOOLEY In the beginning Tulsa swung. But it did not rock. Then, onto our stages stepped Gene Crose, followed by Clyde Stacy and Bobby Taylor, Wally Wiggins and David Gates and Jack Dunham and Lucky Clark, Junior Markham and Tommy Rush, along with their friends and fellow musicians, some of whom would go on to significant careers in rock ‘n’ roll. A few would even become household names, although under different monikers. The bespectacled…
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